You may enjoy this over at The Toast. :-)
Plaidurday was more than a week ago, so I suppose I should post my Plaidurday dress (no spoilers!):
This fabric is a cotton/linen blend; I bought the last 2.75 yards from Fabric Mart Fabrics (sorry).
Piped pockets, of course:
Zipper and side-seam matching:
I really like the bold stripe down the shoulder:
This picture really shows you the linen-y texture of the fabric:
And the back:
I’m really into plaid for autumn/winter, and especially dark plaids, so I was happy to find this fabric — dark in color, but light in weight, perfect for autumn-in-San-Francisco-that’s-really-summer. What fabrics or patterns are you dreaming about for autumn?
Cheap Chic, the fashion classic, has been reprinted in a special 40th anniversary edition, with a foreword by Tim Gunn.
I don’t remember where I first read this book; it must have been in the 1980s, and I’m pretty sure it was a public library copy, the cover reinforced with whatever the library grade of Con-Tact paper is.
By that time I was already dressing much like the authors of the book, or as much like them as a high-school student in North Carolina could dress, so I read the entire thing as an exercise in confirmation bias. Of course I had olive drab army pants (several pair, including one I’d chopped off into shorts). I had multi-button wool sailors’ pants (too warm for the climate), men’s white t-shirts and oxfords, penny loafers, and (a significant find) a pair of incredibly beat-up (and uncomfortable) pair of boy’s cowboy boots, bought at a thrift store in Hickory, NC. I’d swiped my dad’s Levi’s jean jacket AND his Eisenhower jacket. I had good leather bags and belts (bought as seconds at the Coach outlet in town). I was certainly cheap; this book told me I was chic.
Re-reading Cheap Chic is half nostalgia, half discomfort. It’s difficult to read this now without noticing what I didn’t notice back in the eighties: the constant underscoring of the idea that the base requirement for chic is a “lean body” (and the assumption that everyone reading the book could easily fit into boy’s-size clothing and would be comfortable going braless in leotards). The regular and slightly thoughtless appropriation of clothing from different cultures and classes (“ethnic” and “worker’s” clothing), including the advice that you should “Tune into Soul Train when you’re running low on ideas!” And of course, so much fur!
The best reason to re-read Cheap Chic is for the interviews with designers, including Betsey Johnson, Rudi Gernreich, and (best of all) Diana Vreeland:
It’s hard to read Cheap Chic without thinking about the assumptions behind what made things cheap or chic: things were cheap because they were either made cheaply (by people you didn’t think much about otherwise), were the surplus of the militarization of the twentieth century, or because you had the resources to invest up-front in something well-made and expensive that would last a long time (Saint Laurent boots are mentioned often). Things were chic because they made you look young, cosmopolitan, well-traveled, thin, and rich.
I’d recommend reading Cheap Chic just to experience this discomfort, and to try to bring it forward into our lives now. What assumptions are we making today that will make our grandchildren cringe?
I never thought I needed labels for the dresses I make, but Nozlee showed me how cool they can be, so I made some:
(Yes, Nozlee’s are cooler.)
Anyway, if you need them too, Wunderlabel is having a sale — it ends tonight, use code “firstwunder2015” to get 20% off.
So I guess September is National Sewing Month? (In the US, at least?)
September is a pretty good month for it, if you had to choose just one: there’s still warm weather (again, in the US) but also the promise of cooler weather to come, so you can sew for both seasons. There’s back-to-school, which always seems to make people want new clothes (whether they are in school or not — and more time to sew if your kids just went back to school …). Plus there’s the annual goal of getting a jump start on any holiday sewing.
If I were going to set ambitious sewing goals for the month (which I’m not, but …) I’d try to make September a month to prepare me for better sewing for the rest of the year. I’d re-organize my patterns and fabric, I’d sort through (and blog about!) all the books in my sewing library, and I’d go get all my scissors sharpened and learn to use that last orphan presser foot that came with my machine. I’d toss all the old thread that I’ve moved eight times and will never use, and do something cool with all those vintage wooden spools that I keep hanging on to. And maybe (just maybe) I’d finally cut enough squares for a quilt.
That’s if I were going to set ambitious sewing goals for September, which I’m not, because I already have ambitious non-sewing goals for September, and well into October. (Watch this space!)
What are your National Sewing Month goals?
Hey, it’s another Simplicity 2389!
I think this fabric is called Flower Field (maybe?) and is Kokka Trefle? A few minutes’ desultory Googling hasn’t turned up a picture. It feels like Kokka’s linen/cotton mix and I know I bought it from Superbuzzy in 2013 (thanks to saving every fabric invoice in my inbox). Here’s the full front view:
And here’s the center front, with an attempt at matching the pattern across the front seam:
And of course the shoulder piping:
The zipper/pocket (also with piping):
And the back:
I say “Simplicity 2389” but it’s really the Simplicity 2389 with the modified Heidi skirt, as usual. As you might imagine after seeing so many of these hybrids in a row, I really really like this dress. (And I have a few more coming to post.) It’s just so darn easy to make and wear, and I haven’t really run out of interesting (to me, at least) combinations of print and piping (even self.jpgping).
But last week I found myself thinking about a simple, V-neck bodice with a six-gore pocketed skirt, probably in dark denim. I’d like it for rainy cold SF days (I’m betting/hoping that we may have more than a couple of those this winter), so perhaps the tide is turning?
I’ve been working in the actual city of San Francisco for about a month and I’ve realized that I need a “San Francisco coat”.
What’s a “San Francisco coat”? It’s a coat that is:
- lightweight but wind-resistant
- water-resistant but not waterproof (waterproof coats are usually too warm, and it doesn’t really rain that much in SF)
- full enough to go over full skirts
- movement-friendly (sufficient shoulder ease)
- HAS POCKETS (of course)
- long enough to be another barrier between you and the seats on public transit (just in case)
So here’s the current candidate (found on Etsy from seller mbchills):
It’s possible to be a “San Francisco coat” without the buttons and collar, but I prefer buttons to zips in coats (zips are too binary; a coat is either zipped or it’s not unless you do one of those fancy zips that open from both the top and the bottom and even then that little section of the zipper gets too much stress and breaks).
I’m thinking of making this coat—the shorter length—in a lightweight gray denim, if I can find such a thing. (Sometimes I imagine fabrics that, while technically possible, do not actually exist.) I’m a little daunted by those welt pockets, but, hey, I read somewhere on Pinterest that what doesn’t kill me will make me stronger.
I have zero plans right now to line this darn thing, but we’ll see what happens when I actually start making it. I also have zero plans to do all that top-stitching, but I see some nice opportunities for piping. I’m pretty sure I’ll also shorten the sleeves a little; not all the way to three-quarters, but maybe to a length that is just shy of my watch.
I’ve never actually made a coat before — I’ve cut out TWO coats, neither of which ever made it to the “put it through the sewing machine” stage.
It was pretty warm for SF last week—cardigan weather, really—but you never know when you’re going to get another week of gray, 50, and windy, so I’m hoping to start this sooner, rather than later. Wish me luck!