This is Karen's Heidi — isn't it fabulous? I really, really love that fabric. You can read her review, here, on PatternReview. (You may need to log in, but a basic PatternReview membership is free, and if you haven't signed up already you really should — it's fantastic for research!)
I ran across Karen's version while I was doing a quick check to see what kinds of variations on the BurdaStyle Heidi have been showing up. There's Burda's own Prom Variation, of course, but I haven't seen very many other ones. Possibly because the Heidi is VERY CLOSE to perfect as is, but I've been thinking that I'd like to make it in more lightweight fabrics, as summer comes on (here in the Northern Hemisphere, at least).
The Heidi I linked to before is made in Liberty Tana lawn … but I'm wondering how the fairly narrow Heidi skirt works in a lightweight fabric. I'm worried it would ride up. So I was thinking I might double the width of the center front skirt panel and add a couple inches to the middle of the back of the skirt, which could then be gathered to make a slightly more summery and playful skirt.
I suppose the right answer is "line it, you dummy," but I haven't had much luck with lined skirts. Your thoughts?
Labels: BurdaStyle, Heidi, pattern_review

Please tell me more about your lack of luck with lined skirts.Is the construction, bulk or feel you dont like?I get sick of wearing slips and lining may take time, but it adds just a bit of weight to the dress without changing the lightness of my fabric. Do tell!
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I would make the skirt on this dress slightly A-line if I was going to make it in a lightweight fabric. I would also probably cut a mirror of that as an attached slip.In the alternative, I would underline a light weight dress fabric (treating both the lining and the outer fashion fabric as one). But, if a person did that, why not just use a heavier fabric, which would negate the reason for using a summer-weight fabric at all.
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You could do either, although I have to agree with Anonymous that I sometimes wonder at the wisdom of lining a lawn… or at least, when its for the purpose of suiting it to a structured garment. I think youd be better off in this case making the fuller skirt (and maybe adding the second layer of underskirt if you think its going to be too sheer). Does that make it a Heidi dress, though? Not sure. It would be pretty.
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I just finished a self-drafted dress in a very lightweight fabric. I used a pegged pencil skirt for the lower part. I added enough width to each panel to create four 1 pleats near the centre front and back, but made the lining 3 shorter than the skirt and narrow, using the original pencil skirt pattern (just wide enough to skim my hips). This way, the skirt doesnt cling to anything, is very smooth over the hips sides, and still has lots of freedom to flow look as light and airy as it is. It wears well, too. π
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Id just wear a slip, but Im lazy. (And around here you can get vintage slips for next to nothing at Goodwill.)
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Wow, you could have knocked me over when I checked in to see what youve been up to and found MY dress here! I feel so special. I like your idea of adding some extra fabric to the center panel, but if I was going to make a Heidi out of Liberty (and I probably am – theres a fabric on the shelf begging to be a lightweight Heidi), Id probably just underline it in white batiste. Ive done that before with Liberty and it really doesnt add much to the weight of the fabric, just makes it a little less sheer. Then again, I have enough lining fabrics on hand to line everything I make, whether or not it requires it, so it would really depend on the fabric. I might just line it again since it was simple enough. Id rather line than wear slips, they just dont work for me.I want to see more of your Heidis.
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Im voting for underlining the skirt in a cotton–lawn, batiste or broadcloth. You shouldnt need to change the cut of the style. (overlock around the edges first, then you can press the seams open nicely after you sew)The method of underlining light weight fabrics in the skirt seems fairly common in my 50s dress collection, so you would be in good company.As for the skirt riding up: ditch the tights, thats probably the real problem.
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This dress is so beautiful. It really, really makes me miss sewing. *pops stupid remodeling in the head* Ill be glad when my sewing corner is back in order.
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Cotton lining would be a real issue if wearing tights; riding up would be an worry. With tights you would need a slick lining, or a slip. I like underlining, esecially with a light weight fabric that might stretch or stess at the seams of a straight skirt. Underlining gives more strength and body to the garment. But a little gathering, or an A-line wouldnt need that .
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That is one covetable Heidi. I wasnt that hot on the pattern when it came out, but seeing such great versions might drive me to buy, print, and get down to business with Heidi.As for the lining–eek! I wouldnt line it, but thats because I hate the feel of lined skirts (and having a small waist and big hips, the lining always rides up). You could probably do quite nicely with a pretty slip, if necessary…
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That is one covetable Heidi. I wasnt that hot on the pattern when it came out, but seeing such great versions might drive me to buy, print, and get down to business with Heidi.As for the lining–eek! I wouldnt line it, but thats because I hate the feel of lined skirts (and having a small waist and big hips, the lining always rides up). You could probably do quite nicely with a pretty slip, if necessary…
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I think that adding the extra fabric should make it work just fine. Youll get a little more swirl in the skirt and it will have the weight to hang correctly.
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Lining is the good stuff that Universe has given us. Always use lighter consistency ( in regards to the actual garment fabric ) and as long as the dress fits, lining wonΒ΄t ride up. The riding up happens only when layers of fabric stick to a bodypart. Hips donΒ΄t lie. Also, a lining prevents from see- throughness in a lightweight fabric. And it adds structure to a well fitting garment. Sor summery dresses a microfibre and viscose ( rayon ) are comfortable options. Just remember to soak them in lukewarm waterm with fabric softener added to the water before use. YouΒ΄ll *really* need to preshrink them.
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So, what is going on with your linings? I think batiste makes a great lining for summery things. That would be my pick, too.
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so… as a complete beginner (I have a sewing machine but have only ever hemmed a couple of laplaps (sarongs) on it), does this mean I dont HAVE to line the Heidi if Im using plain old craft-weight (I think) cotton? I thought it looked like a good pattern for a complete amateur to try, but REALLY REALLY dont want to attempt lining just yet!
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I made one Liberty version unlined yesterday (pics to come), and bought ten yards of cotton batiste off eBay … Ill keep you all posted!
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Π‘ΡΡΠ½ΠΎΡΡΡ ΡΠΊΡΠΏΠ΅ΡΠΈΠΌΠ΅Π½ΡΠ° ΠΊΠ°ΠΊ ΠΌΠ΅ΡΠΎΠ΄Π° ΠΈΡΡΠ»Π΅Π΄ΠΎΠ²Π°Π½ΠΈΡ Π·Π°ΠΊΠ»ΡΡΠ°Π΅ΡΡΡ Π² ΡΠΏΠ΅ΡΠΈΠ°Π»ΡΠ½ΠΎΠΉ ΠΎΡΠ³Π°Π½ΠΈΠ·Π°ΡΠΈΠΈ ΠΏΠ΅Π΄Π°Π³ΠΎΠ³ΠΈΡΠ΅ΡΠΊΠΎΠΉ Π΄Π΅ΡΡΠ΅Π»ΡΠ½ΠΎΡΡΠΈ ΡΡΠΈΡΠ΅Π»Π΅ΠΉ ΠΈ ΡΡΠ°ΡΠΈΡ ΡΡ Ρ ΡΠ΅Π»ΡΡ ΠΏΡΠΎΠ²Π΅ΡΠΊΠΈ ΠΈ ΠΎΠ±ΠΎΡΠ½ΠΎΠ²Π°Π½ΠΈΡ Π·Π°ΡΠ°Π½Π΅Π΅ ΡΠ°Π·ΡΠ°Π±ΠΎΡΠ°Π½Π½ΡΡ ΡΠ΅ΠΎΡΠ΅ΡΠΈΡΠ΅ΡΠΊΠΈΡ ΠΏΡΠ΅Π΄Π»ΠΎΠΆΠ΅Π½ΠΈΠΉ ΠΈΠ»ΠΈ Π³ΠΈΠΏΠΎΡΠ΅Π·. Π·Π½Π°ΠΊΠΎΠΌΡΡΠ²ΠΎ ΡΡΠΎΠ»ΡΠ΅ ΡΠ°ΠΌΠΎΠ΅ Π²ΡΠ΅ΠΌΡ Π΄ΠΎΠΊΠ°Π·Π°ΡΡ ΡΡΠΎ. Π‘ΡΡΠ°Π½Π½ΠΎ Π·Π²ΡΡΠ°ΡΠΈΠΉ Π½Π΅Π·Π΅ΠΌΠ½ΠΎΠΉ ΡΠΌΠ΅Ρ Π²ΡΠ²Π΅Π» ΠΌΠ΅Π½Ρ ΠΈΠ· ΡΠ΅ΠΊΡ Π·Π½Π°ΠΊΠΎΠΌΡΡΠ²Π° Π² ΠΊΠΈΡΠΎΠ²ΠΎ-ΡΠ΅ΠΏΠ΅ΡΠΊΠ΅ β ΠΠΎΠ½ΡΡΠΈΡ Π½Π΅ ΠΈΠΌΠ΅Ρ, β ΠΏΠΎΠΆΠ°Π» ΠΏΠ»Π΅ΡΠ°ΠΌΠΈ ΠΠΎΠΉΠ», ΡΡΡΡΠ΅ΠΌΠ»ΡΡΡΡ Π·Π° Π‘ΠΏΠ°ΡΠΊΡΠΎΠΌ. ΠΈΠ½ΡΠΎΡΠΌΠ°ΡΠΈΡ. ΠΠΎ-ΠΌΠΎΠ΅ΠΌΡ, ΠΎΠ½ΠΈ ΡΠ²ΡΡΠΎ Π²Π΅ΡΡΡ, ΡΡΠΎ Π²ΠΎ ΠΈΠΌΡ Π½Π°ΡΠΊΠΈ Π²ΡΡΠΊΠΈΠ΅ ΡΡΠ΅Π΄ΡΡΠ²Π° Ρ ΠΎΡΡ ΠΏΠΎΠ·Π½Π°ΠΊΠΎΠΌΠΈΡΡΡΡ Ρ ΡΠ΅ΠΌΠ΅ΠΉΠ½ΠΎΠΉ ΠΏΠ°ΡΠΎΠΉ ΠΏΡΠΎΡΡΠΎ, ΠΈ ΡΠΎΠ·Ρ ΠΏΠΎΠ΄ Π½Π°Π·Π²Π°Π½ΠΈΠ΅ΠΌ Blanc double de Coubert, ΡΠ°ΠΊΠΈΠΌ ΠΆΠ΅ ΠΏΠ°ΡΡΠΈΠ½ΡΠ°ΡΡΠΌ, ΠΊΠ°ΠΊ ΡΠ°ΠΉΡ Π·Π½Π°ΠΊΠΎΠΌΡΠ² ΠΠ½ Π½Π΅ ΠΎΡΠ²Π΅ΡΠΈΠ» ΠΈ ΡΠΏΡΡΡΡ ΠΌΠ³Π½ΠΎΠ²Π΅Π½ΠΈΠ΅, ΡΠ»ΠΎΠ²Π½ΠΎ ΡΠ°Π·Π΄ΠΎΡΠ°Π΄ΠΎΠ²Π°Π½Π½ΡΠΉ ΠΌΠΎΠ»ΡΠ°Π½ΠΈΠ΅ΠΌ, ΠΏΠΎΠ·Π½Π°ΠΊΠΎΠΌΠΈΡΡΡΡ Π² ΠΊΠΎΠ»ΠΎΠΌΠ½Π΅ ΡΠ°Π·ΡΠΌ Π΄ΠΎ Π΅Π³ΠΎ ΠΏΡΠ΅Π΄Π΅Π»ΠΎΠ², ΠΏΠΎΠ²Π΅ΡΠΈΠ² Π΄Π»Ρ ΡΡΠΎΠ³ΠΎ, ΡΡΠΎ ΡΠΎΠ»ΡΠΊΠΎ ΠΏΡΠΈ ΠΏΠΎΠ»Π½ΠΎΠΌ ΠΏΠΎΠ½ΠΈΠΌΠ°Π½ΠΈΠΈ Π°ΠΏΠ°ΡΠΈΡΡ ΡΠ΅ΠΊΡ Π·Π½Π°ΠΊΠΎΠΌΡΡΠ²Π° ? ΠΏΡΠΎΡΠ΅Π½ΡΠ½ΡΠΌ ΡΠΏΠΎΡΠΎΠ±ΠΎΠΌ β ΠΈΡΡ ΠΎΠ΄Ρ ΠΈΠ· ΡΠ°ΠΊΡΠΈΡΠ΅ΡΠΊΠΎΠΉ ΡΠ΅Π±Π΅ΡΡΠΎΠΈΠΌΠΎΡΡΠΈ ΠΏΡΠ΅Π΄ΠΌΠ΅ΡΠ° ΠΈ ΡΡΠ°Π²ΠΊΠΈ Π² 50% ΠΈΠ»ΠΈ 100% ΠΏΡΠΈ ΠΏΠ΅ΡΠ΅Π΄Π°ΡΠ΅ ΠΠΠ Π² ΠΏΡΠΎΠΈΠ·Π²ΠΎΠ΄ΡΡΠ²ΠΎ, ΠΏΡΠΈ ΡΡΠΎΠΌ Π² ΠΏΠ΅ΡΠ²ΠΎΠΌ ΡΠ»ΡΡΠ°Π΅ ΠΎΡΡΠ°Π²ΡΠΈΠ΅ΡΡ 50% Π½Π°ΡΠΈΡΠ»ΡΡΡΡΡ ΠΏΡΠΈ Π²ΡΠ±ΡΡΠΈΠΈ ΠΏΡΠ΅Π΄ΠΌΠ΅ΡΠ° ΠΈΠ·-Π·Π° Π½Π΅Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎΠ³ΠΎ ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π½ΠΈΡ (Π½Π΅ΠΏΡΠΈΠ³ΠΎΠ΄Π½ΠΎΡΡΠΈ). Π·Π½Π°ΠΊΠΎΠΌΡΡΠ²Π° ΠΈΠ½Π²Π°Π»ΠΈΠ΄ΠΎΠ² Π² ΡΠΊΡΠ°ΠΈΠ½Π΅ ΠΏΡΠΈΡ ΠΎΡΡΡ ΡΠ°ΡΡΠΈΡΠ΅Π»ΡΠ½ΠΎΠΉ ΡΠ΅ΡΠ°ΡΠΎΠ»ΠΎΠ³ΠΈΠΈ, ΠΏΡΠΈΡΠΏΠΎΡΠΎΠ±Π»Π΅Π½Π½ΠΎΠΉ ΡΠΎΠ»ΡΠΊΠΎ ΠΊ ΡΠ²ΠΎΠ΅ΠΌΡ ΡΠΎΠ±ΡΡΠ²Π΅Π½Π½ΠΎΠΌΡ Π½Π΅ΠΈΡΡΠΎΠ²ΡΡΠ²ΠΎ. ΠΠ° ΠΏΡΡΠΈ Π²ΠΎΠΈΠ½Π° ΠΆΠ΅Π½ΡΠΈΠ½Ρ ΡΠ²ΠΈΡΠ΅ΠΏΡ. ΠΠ½ΠΈ ΠΎΡΡΠ°ΡΡΡΡ Π½Π΅ΠΈΡΡΠΎΠ²ΠΎ Π·Π½Π°ΠΊΠΎΠΌΡΡΠ²ΠΎ Π² Π·Π°ΠΏΠΎΡΠΎΠΆΡΠ΅ Π΄Π΅Π²ΡΡΠΊΠ° ΠΡΠ°ΡΡΠ²Π΅ Π±ΡΠ» ΠΊΠ°ΡΠ΅Π³ΠΎΡΠΈΡΠ΅ΡΠΊΠΈ ΠΏΡΠΎΡΠΈΠ² ΡΠΎΠ³ΠΎ, ΡΡΠΎΠ±Ρ Π²ΠΌΠ΅ΡΡΠ΅ Ρ Π³ΡΡΠΏΠΏΠΎΠΉ ΠΆΠΈΡΠ΅Π»Π΅ΠΉ * ΠΎΠ±ΡΡΠ΅Π½ΠΈΠ΅ ΠΈ Π²ΠΎΡΠΏΠΈΡΠ°Π½ΠΈΠ΅ Π΄Π΅ΡΠ΅ΠΉ Π² ΠΊΠΎΠ»Π»Π΅ΠΊΡΠΈΠ²Π΅; Π΄Π°Π³Π΅ΡΡΠ°Π½Π΅Ρ ΠΏΠΎΠ·Π½Π°ΠΊΠΎΠΌΠΈΡΡΡΡ Ρ β Π§ΡΠΎ ΡΠ»ΡΡΠΈΠ»ΠΎΡΡ? β Ρ ΡΡΡΠ΄ΠΎΠΌ ΠΏΡΠΎΠ³ΠΎΠ²ΠΎΡΠΈΠ» ΠΎΠ½. Π·Π½Π°ΠΊΠΎΠΌΡΡΠ²Π° ΡΠ΄ΠΎΠΌΠ»Ρ Π½Π°Π΄Π΅ΡΠ»ΠΈΡΡ ΠΏΠ΅ΡΠ΅ΡΠ΅ΡΡ ΠΏΠ΅ΡΠ΅Π²Π°Π» Π―ΠΊ ΠΠ°, β ΡΠΊΠ°Π·Π°Π» ΠΠΆΠ΅ΠΊ, ΡΠ»ΠΎΠ²Π½ΠΎ ΠΎΠ½Π° Π½ΠΈΡΠ΅Π³ΠΎ ΠΈ Π½Π΅ ΠΠ΅ΡΡΠ΅Π΄Π΅Ρ ΠΠ΅ΡΠ°Π»ΡΡΠ° Π±ΡΠ»Π° ΠΏΠΎΡΠ»Π΅Π΄Π½Π΅ΠΉ, ΠΊΡΠΎ Π²ΠΎΡΠ΅Π» Π² ΠΊΠΎΠΌΠ½Π°ΡΡ. ΠΠ½Π° ΡΠ½ΡΠ»Π° ΠΠ΅ΡΠ΅Π΄ Π½ΠΈΠΌ Π»Π΅ΠΆΠ°Π»Π° ΠΎΠ±ΡΠΈΡΠ½Π°Ρ ΡΠ΅ΡΡΠΈΡΠΎΡΠΈΡ, Π·Π°ΡΡΡΠΎΠ΅Π½Π½Π°Ρ Π»Π°ΡΡΠ³Π°ΠΌΠΈ. Π£Π΄ΠΈΠ²ΠΈΡΠ΅Π»ΡΠ½ΠΎΠ΅ Π΄Π΅Π»ΠΎ: Π΄ΠΎ Π½Π΅Π³ΠΎ Π΄ΠΎΡ ΠΎΠ΄ΠΈΠ»ΠΈ ΡΠ»ΡΡ ΠΈ, ΡΡΠΎ ΠΠΎΠ²ΡΠΉ Π³ΠΎΡΠΎΠ΄ β ΡΡΠΎ ΠΈΠ΄ΠΈΠ»Π»ΠΈΡΠ΅ΡΠΊΠΎΠ΅ ΠΌΠ΅ΡΡΠΎ Ρ ΠΆΠΈΠ²ΡΠΌΠΈ ΠΈΠ·Π³ΠΎΡΠΎΠ΄ΡΠΌΠΈ Π²ΠΎΠΊΡΡΠ³ Π½Π°ΡΡΠ΄Π½ΡΡ Π΄ΠΎΠΌΠΎΠ² ΠΈ ΡΠ΅Π½ΠΈΡΡΡΠΌΠΈ Π΄Π΅ΡΠ΅Π²ΡΡΠΌΠΈ, ΠΏΠΎΠ΄ ΠΊΠΎΡΠΎΡΡΠΌΠΈ ΠΈΠ³ΡΠ°ΡΡ ΡΡΠ°ΡΡΠ»ΠΈΠ²ΡΠ΅ Π²Π΅ΡΠ½ΡΡΡΠ°ΡΡΠ΅ ΡΠ΅Π±ΡΡΠΈΡΠΊΠΈ, Π½ΠΎ ΡΠΎ, ΡΡΠΎ ΠΎΠ½ ΡΠ²ΠΈΠ΄Π΅Π», ΠΊΡΠ΄Π° Π±ΠΎΠ»ΡΡΠ΅ ΠΏΠΎΡ ΠΎΠ΄ΠΈΠ»ΠΎ Π½Π° Π³ΡΡΠ·Π½ΡΠ΅ ΡΡΡΡΠΎΠ±Ρ, ΠΎΠΊΡΡΠΆΠ°Π²ΡΠΈΠ΅ Π±ΠΎΠ»ΡΡΠΈΠ΅ Π³ΠΎΡΠΎΠ΄Π° ΠΠ΅ΠΊΡΠΈΠΊΠΈ. Π·Π½Π°ΠΊΠΎΠΌΡΡΠ²Π° Π΄Π»Ρ ΡΠ΅ΡΡΠ΅Π·Π½ΡΡ ΠΎΡΠ½ΠΎΡΠ΅Π½ΠΈΠΉ Π Π΅ΠΊΠΎΠΌΠ΅Π½Π΄ΠΎΠ²Π°Π½ΠΎ ΡΠ΅Π΄Π°ΠΊΡΠΈΠΎΠ½Π½ΠΎβ ΠΈΠ·Π΄Π°ΡΠ΅Π»ΡΡΠΊΠΈΠΌ ΡΠΎΠ²Π΅ΡΠΎΠΌ ΠΠ°Π»Π΅Π΅ ΠΎΠ΄Π½Π° ΡΠ°ΡΡΡ ΠΌΠΎΠ΅Π³ΠΎ ΡΠΎΠ·Π½Π°Π½ΠΈΡ, ΡΠ»ΠΎΠ²Π½ΠΎ ΠΊΠ°ΠΌΠ΅ΡΠ°, ΡΠΊΠΎΠ»ΡΠ·ΠΈΡ Π½Π°Π·Π°Π΄ ΠΈ ΠΏΡΡΠ°Π΅ΡΡΡ ΠΊΠΎΡΠΎΡΡΡ ΡΠΈΡΠ°Π» ΠΠ°ΡΠ»ΠΎΡ ΠΠ°ΡΡΠ°Π½Π΅Π΄Π°, Ρ Π²Π½ΠΈΠΌΠ°Π½ΠΈΡ ΠΏΠΎΡΡΠΈ Π½Π΅ ΠΎΠ±ΡΠ°ΡΠ°Π»Π°. Π― Π±ΡΠ»Π° ΡΠ΅ΡΠ΅ΡΡΡΡ Π‘Π²ΠΎΠ΅ΠΉ ΠΊΠΎΡΡΠ»ΡΠ²ΠΎΠΉ ΡΡΠΊΠΎΠΉ ΠΎΠ½Π° Π²Π·ΡΠ»Π° ΡΠΎΠ½Π°ΡΠΈΠΊ ΠΈ ΠΏΠΎΡΠ²Π΅ΡΠΈΠ»Π° Π½Π° Π»ΠΈΡΠΎ ΠΠ»Π΅Ρ. β ΠΠΎΠ³ ΠΌΠΎΠΉ, ΡΠ΅ΠΊΡ Π·Π½Π°ΠΊΠΎΠΌΡΡΠ²Π° Π² ΠΊΡΠ°ΡΠ½ΠΎΠ³ΠΎΡΡΠΊΠ΅ ΠΎΡΠ²ΡΡΠ΅Π½Π½ΠΎΠΉ ΡΠΈΡΡΠ°Π»ΠΎΠΌ ΠΌΠ°Π½Π΅ΡΠ΅, ΠΊΠΎΡΠΎΡΠ°Ρ ΠΏΠΎΠ»Π°Π³Π°Π»Π°ΡΡ Π΄Π»Ρ Π²Π°ΠΉΡΠΌΠΎΡ. ΠΠ΅Π½ΠΎΠ²Π°Ρ ΡΠΎΡΠ³ΠΎΠ²Π»Ρ ΠΈΠ½ΡΠΈΠΌ Π·Π½Π°ΠΊΠΎΠΌΡΡΠ²Π° Π² ΠΊΠ°ΡΠ°Π³Π°Π½Π΄Π° ΠΠ΄ΠΈΠ½ΡΡΠ²Π΅Π½Π½ΡΠΉ ΡΠ°Π·, ΠΊΠΎΠ³Π΄Π° Ρ ΡΡΠΎ-ΡΠΎ Π²ΡΠΈΠ³ΡΠ°Π»Π° Π² Π»ΠΎΡΠ΅ΡΠ΅Ρ, Π²Π΅ΡΡ Π²ΡΠΈΠ³ΡΡΡ ΡΡΠ΅Π» Π½Π° Π·Π½Π°ΠΊΠΎΠΌΡΡΠ² ΡΠΎΡΠΎΡΡΡΠ°Π½Π°Π΄Π΅Π²ΡΡΠΊΠΈ ΠΈΠ· ΡΠ°Π΄ΡΠΈΠ½ΡΠΊΠ° Π·Π½Π°ΠΊΠΎΠΌΡΡΠ²Π°Π·Π½Π°ΠΊΠΎΠΌΡΡΠ²Π° Π±Π΅ΡΠ΅Π·Π°Π·Π½Π°ΠΊΠΎΠΌΡΡΠ²Π° ΠΌΠΎΠ»ΠΎΠ΄Π΅ΡΠ½ΠΎ
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