(blows dust off blog) “Hey, this thing still works!”

Been busier than any number of busy things you could mention (the devil in a high wind; an English oven at Christmas; a bag of fleas) and so sewing has taken a backish seat, but I have managed to make a few more Seamwork Veronicas (the panel version for subscribers).

Today I managed to take pictures of one of them that’s been in process for a couple weeks (this is actually a very quick pattern to sew, it takes a couple weeks if you only get ten minutes a day to sew in …).

topstitched chambray Seamwork Veronica

Forgive the foreshortened perspective … here’s the bodice:

topstitched chambray Seamwork Veronica bodice

The pockets:

topstitched chambray Seamwork Veronica pocket

The waistband:

topstitched chambray Seamwork Veronica waistband

More topstitching:

topstitched chambray Seamwork Veronica bodice seam

The back shirring:

topstitched chambray Seamwork Veronica

And the whole back:

topstitched chambray Seamwork Veronica

You may be saying, “huh, Erin, I don’t remember the Veronica dress looking quite like that” so here is a (not-exhaustive) list of the things I have altered:

  • added 2 inches to the center front and back skirt so that I could get more fullness
  • changed the pockets from the kangaroo kind to actual scoop pockets in the skirt side panels
  • omitted the center back seam in the bodice, skirt, and waistband and just cut everything on the fold
  • did a FBA (full butt adjustment) on the center back to keep the skirt from being shorter in the back than the front
  • shortened the bodice a bit to lessen the blousiness
  • finished the hem with a 3″ bias band
  • finished the neck and sleeves with bias binding
  • changed the back channel elastic to elastic shirring (with this very nice Seamwork tutorial)
  • scooped the neck about 1.5 inches

As you may have already figured out, my topstitching is not what you would call precise, but I am calling it wabi-sabi and retiring from the ring. (It was fun to do and I think it livens up the joint.)

The fabric is a cotton/silk? blend (maybe?) very very very lightweight not-gray-not-blue-somehow-both chambray that I’m sure I bought from FabricMartFabrics a while back. I would dig through my email receipts to confirm but 1) I’m lazy and 2) everything on FMF sells out in less than a week so there’s no utility in doing so; I can’t link to it. The fabric is a bit sheerer than I expected but I only own all of the slips in the northern hemisphere so we’re good on that front. (And back.)

Considerable alterations aside, this is a very comfortable dress for summer, and I’m all set to make at least, oh, three or four more until I get tired of it. It’s just so darn easy, both to make and to wear! (I’ve already made two others, both in seersucker, that I haven’t photographed yet.)

Next step for this dress is to do a version that has panels in the back as well as the front … and maybe even a version with a flat collar?

Purge 2017: The Wrap-Up

Hey! It’s everyone’s favorite time: accounting time!

So a couple months ago I decided to purge a bunch of me-made dresses that I just don’t wear anymore, and give half of the net proceeds to Chicago Books to Women in Prison. (Dress buyers could also request a “MADE IN A HURRY BY ERIN MCKEAN” label for their dresses for $2, and all label money would go straight to Chicago BWP.)

So, for the curious, here is how the accounting worked out:

  • of 43 listed dresses, 39 sold
  • 15 labels were sold at $2 each, so $30
  • shipping costs were $340.55 (with the single largest shipping cost being $95.95, to send five dresses to the UK). Dresses were also sent to Australia and Canada.
  • Paypal fees were $47.28

So:

Screen Shot 2017-08-27 at 9.24.56 AM

And, so, rounding up:Screen Shot 2017-08-27 at 9.17.56 AM

Thanks so much to everyone who bought a dress! (And special thanks to those of you who sent me pictures of you wearing your new dresses, they made me incandescently happy!)

The last few dresses will be on their way to Goodwill shortly. If I have time I will put labels in them—if you find one at your local Goodwill, please let me know!

 

a carefree mind of her own (the Seamwork Veronica dress)

Seamwork Veronica

Hey, a new dress! This is the Seamwork Veronica (with the subscriber modifications, plus more than a few of my own).

Anyway, back to the dress! Obviously, I had to add pockets:

Seamwork Veronica pockets

When I saw the subscriber modifications (specifically, the front panels for the skirt), my first thought was “pockets!” and my second thought was “STRIPES!”.

This fabric is a heavyish cotton knit with moderate stretch, so I fused some tricot knit interfacing to the pocket backing to keep them from pulling out of shape too much. I also zig-zagged some clear elastic along the pocket opening edge (although from this picture it looks as if I could have pulled it a bit tighter).

I added gathers to the center front and the center back to add some extra ease, and lengthened the back skirt about 3/4″ for a BBA (bubble-butt adjustment):

Seamwork Veronica back

Because it’s a knit fabric I didn’t have to put in the back zipper (the dress goes on fine without one). When I make this again I might cut that piece on the fold to get rid of the center back seam entirely.

Also because this is knit, I didn’t do facings—I did bindings instead. I used my tried-and-true “eyeball it” method and ended up cutting the neck binding about two inches shorter than the neck measurement, which seemed to work fine:

Seamwork Veronica neckband

The same technique worked for the sleeve bindings:

Seamwork Veronica bodice

There are a few more refinements I would like to make—the waist elastic is a bit bulky (even though I used a thinner fabric for the inside casing). I might try it with sew-through elastic next time to get a more even gather. The stripes are a bit off on the front waistband—I thought about cutting it on the bias and stabilizing it with interfacing, but I was too lazy. It would have been a cool effect … Sewing the waistband was definitely the trickiest bit, especially with this fabric. I am sure it would have been easier with a lightweight woven.

The bodice could also be shorter by about an inch, because the weight of the skirt pulls it downward and you don’t get the nice blousy effect you see in the pattern photos.

I’m surprised that this worked as well as it did because the pattern is not really intended for knits (  ¯\_(ツ)_/¯ ) and I changed it *so* much. I made it in a rush because I needed a comfy knit dress for a couple of looooooong plane trips. It held up fantastically, and looked just as good getting off the plane as it did getting on.

Next version is definitely going to be a gray sweatshirt knit, possibly with piping along those front panels, and I’m also planning on making it in a blue-and-white woven seersucker (because you really can’t have TOO MANY striped dresses).

Anyone else sewn this pattern? What were your modifications?

Today’s Pattern Story: Simplicity 1374

Simplicity-1374

Mavis: I spent all last night sharpening my sleeve-wings—if I don’t draw first blood in this year’s Dirigible Dollies Derby, I’m just going to plop myself right down and cry!

Doris: Don’t worry, dear, I’m sure you’ll shred the other girls—you always do! Fingers crossed that this is the year I take the Puppy Picnic Princess crown!

Mavis: Either way, we go halfsies on the judge, right?

Doris: You betcha! I think he’s almost recovered from last year.

(Pattern available from LadyMarlowePatterns.)

Purge 2017: The Final Few

So I was about to wrap up everything for the Great Dress Purge of 2017 when I realized that I had never taken/posted pictures of the dresses that didn’t have any. (Oops!) And needless to say, those pigs in pokes were not bought.

So I’m going to keep the Purge open another week, and here are those last few unpictured dresses waiting for new homes:

(UPDATE: this one is taken) The lollipop-tree dress (number 14):
Lollipop Trees Dress

This dress has a center-back zip, a rarity for me (I have a stiff shoulder that makes reaching to the middle of my back a hilarious, Mr.-Bean-esque activity):
lollipop trees dress back

(UPDATE: this one is taken) This is the “Sherbet seersucker Frankendress”, number 18:

sherbet seersucker Frankendress

I didn’t *quite* match the stripes at the waist seam:
sherbet seersucker Frankendress front waist

But there’s a nice seafoam-green zipper, if you like that sort of thing:
sherbet seersucker Frankendress zipper

(UPDATE: this one is also taken) Here is the ‘abstract windows shirtdress’, number 37:
city windows shirtdress

And a better view of the print:
city windows shirtdress

And last but not least, the ‘black pink/gray/yellow floral Heidi’, number 10:
pink and yellow roses Heidi

All the dresses (and their measurements) still available are here (four left!), and the form to request one is here, and all the other details and frequently-asked-questions are here. Just a reminder, all dresses are US$20 each (plus shipping) and I’ll be donating half of the proceeds to Chicago Books for Women in Prison.

ALL DRESSES HAVE POCKETS. (Everyone seen this thread?)

light-hearted I take to the open road

I’ve been doing more traveling again, so I thought perhaps I would do a little travel-stuff roundup of things that have been making that traveling easier lately.

I’ve carried one of these portable power bars for years, but I guess they’ve been discontinued (and that model, used, is selling for >$300, which is frankly ridiculous). The same company makes a smaller, cheaper one now—for $6, it’s worth checking out:

These are a lifesaver in airports—instead of fighting over an outlet, you can share and make friends! They’re also great in hotel rooms where they have inexplicably used up precious outlets by the bedside table with useless things like clock-radios.

Speaking of hotel rooms and their terrible outlet placement, I recently splurged on a set of extra-long lightning cables, which are fantastic if you like to use your phone as an alarm clock and charge it overnight—unless your hotel room is truly palatial, a ten-foot charging cord will let you keep the phone on the bedside table no matter where the nearest outlet is.

For long flights, I also just got one of these:

If you (like me) are just a little too short to rest your feet comfortably in an airline seat this thingumbob is amazing! The strap goes over the tray table arms (so be aware that it won’t work in an exit seat where the tray tables are in the armrest) and it’s very quick to set up and adjust. (You can fold the tray table up with it in place, too.) It is not super-sturdy (I had to reinforce the stitching where the straps meet the sling) and if you have very large feet you might feel constricted, but $14 for a MUCH more comfortable flight is completely worth it.

I was worried that it might be annoying to the person in front of me, but nobody on my flights turned around and gave me the stink-eye. The flight attendants didn’t seem bothered by it either, and it’s way better than the tiny stepstool I was using before (not joking).

Other things I take when I travel:

  • a stainless steel water bottle (gets less gunky than plastic, less likely to break in my backpack)
  • a travel coffee press (you can make cold brew with it!)
  • a travel yoga mat (this folds up pretty small and it has 100% improved my daily yoga practice compliance when traveling)
  • a large handkerchief or bandana (I like the excuse to use my Liberty ones, but any cotton handkerchief will do)
  • for very long flights I really like this travel pillow—it’s inflatable, so you’re not carrying a floppy drool-soaked foam donut around—and I think it’s less likely to give you a crick in your neck)

I also take a 4×6 soft mesh zip bag (I think I got it at Ichiban Kan), and while I’m waiting in the security line, I dump all the junk in my pockets (pen, notebook, phone, wallet, lip balm, handkerchief, change, etc.) into the bag, and then pop the bag into my backpack to go through the actual scanner. (Way more secure than those little bowls, especially if you’re pulled out for extra screening and can’t keep an eye on your stuff.)

Probably everyone in the universe is using packing cubes right now (but if you aren’t, I like these) but I’m excited to try compression cubes on my next trip.  I’ll report back!

If you’re a gadget-lover in general, you’ll probably enjoy Recomendo, a Cool Tools-style newsletter full of neat stuff (and apps and sites).

Anything you can’t travel without? Leave a comment!

It’s the only way to live/In cars

Once again I reflexively reached for the bodice from Simplicity 2389 and that BurdaStyle Heidi skirt:
Liberty Cars dress

This one is Liberty print—a piece of fabric I have had for a long time. I think this pattern is from 2009, but I’m not sure; it could be earlier.

Liberty cars dress piping

Ironically, it was purging so many dresses that finally led me to cut into this long-hoarded fabric … even the fabrics that I loved the most (yeah, looking at you, popsicle print) only gave me a kind of “happy to have known you” feeling as I packed them up to ship them to new wearers.

So with this empirical evidence reassuring me that it is unlikely that I will wish I’d saved some special fabric for some theoretically ‘better’ use*, snip snip went the scissors into this Liberty!

Liberty cars dress back

I’ve worn this a couple times so far and it has made me very happy. Beep!

(Oh, and speaking of the Dress Purge of 2017 … there are a few dresses left, but August 6 I will be sending whatever hasn’t been purchased off to Goodwill and tallying up the totals.)

(*also it looks like this fabric is still available from third-party sellers in a different colorway)

Prisoner of my own device

This is the Rushcutter dress again—this pattern is definitely one of my favorites now, even though I’m convinced I look faintly ridiculous in it. (Actually, “Faintly Ridiculous” would be a great title for an autobiography.)

Stripe Rushcutter

This is some old Marc Jacobs stripe denim/canvas—it’s plenty heavy, either way. I made another dress with this a while back, but it just didn’t work and I both took it apart AND bought more yardage. So I had plenty of fabric to work with.

This dress is all about the stripes—here’s the side panel:
Rushcutter side panel

And the pocket:

Rushcutter pockets

And the back, which is just kind of ‘meh’ but at this point it would have been masochistic to take it apart to get that back panel to be more even, so …
¯\_(ツ)_/¯.

Rushcutter back

And here’s a better view of the front insert, which I did actually take apart and recut when the first try didn’t work out evenly:

Rushcutter bodice

I didn’t actually make any of the adjustments to the pockets that I wanted to—mostly out of sheer laziness—so I am still having to bend over to fish things out of the very bottom. But that’s a small price to pay for HUGE POCKETS.

So far I’ve been wearing this with black tights and ankle boots, or black leggings and gray Keds. (The biggest issue is finding a coat that fits over it, because of the extreme A-line.)

Here’s what it looks like on (you can tell I’m bad at selfies …)

img_7983

I was wearing it all day, so it was a bit wrinkled at this point. (Also, I needed a haircut, since remedied.)

Pretty sure there’s going to be at least one more of these before I’m done … maybe something in broderie Anglaise for summer?

Happy New Year/Dress

Happy 2017, people! Here’s a new dress that isn’t the same dress I’ve made the last dozen times:

Rushcutter denim dress

It’s the Rushcutter by In The Folds, sewn up in fairly heavy denim. I enjoyed sewing it quite a bit (once I got the pattern taped together), but I enjoy wearing it immensely.

Here’s the neck bit, isn’t it nice?
Rushcutter neck detail

Back zip, which I’m usually not a fan of, but this one is short so it’s okay:
Rushcutter back zip

I used some patterned bias tape from Daiso to finish the neckline:
floral bias tape neck finish

These pockets are HUGE. Really, really big:
Rushcutter giant pockets

Really:
Rushcutter giant pockets pt 2

They’re set a little low on the dress so occasionally I have to stoop to get things out of the bottom of them, which I find equal parts annoying and hilarious. (When I sew this again I’ll be putting a false bottom in the pocket somehow.)

This is a very, very comfortable dress, with a few caveats. First, the sleeves are a bit wide so they can get a bit jammed up in a coat. I sometimes have to do a quick ‘wrap’ of the sleeve around my arm before jamming my arm into the coat, to make sure that I don’t end up with bulgy elbows.

Also, this is a dress that’s much more comfortable standing than sitting, but that’s probably because I overload the pockets (because I can, because they are HUGE). So if you also load your pockets like Harpo Marx, you too might have to do a little adjustment and pull the sides of the dress forward when sitting so that your heavy pockets don’t fall weirdly down the sides of your chair. But it’s a small price to pay!

I like wearing this with footless tights and sneakers, or regular tights and ankle boots. I’ve worn this with bright yellow tights several times thinking that someone will say “hey, in those tights your legs look just like MUPPET FLESH,” but no one has yet. Which is probably because most of my friends and acquaintances are tactful, kind people, but it’s TRUE.

Oh, and the hem is faced, which is a treatment I always like, especially on heavy fabrics:

Rushcutter faced hem

I have a few other dresses I’ve made during this last blogging hiatus, and the goal/resolution is to post one a week until I’m caught up. Wish me luck!

An entertaining coincidence

About a month ago I managed to see the Oscar de la Renta exhibit at the DeYoung Museum here in SF, and it was lovely. If you like that sort of thing, it’s the sort of thing you really like, etc.

As I exited through the gift shop I checked out the postcard rack, and was struck by this image of an Oscar de la Renta dress featured in Harper’s Bazaar in 1969:

OdelaR-postcard

I was struck not so much by the dress (which is lovely, of course), but by the fabric—it was the same as some Marc Jacobs fabric I’d bought a few years ago! (I blogged about a dress I made in a different colorway of this fabric back in 2015 here.) It’s silk/cotton, not organza:

Untitled

You can tell better in this color image:

image from rarevintage.blogspot.com
image from Rare Vintage

Or in this of another Oscar de la Renta piece in Vogue:

I think this is a jumpsuit?

It’s not uncommon for designers to revive print fabrics—most designers don’t create their own prints, but instead work with fabric houses to select fabrics for their collections. (Here’s an interesting article about the process.) Some French and Italian print houses have been around for hundreds of years, and have catalogs going back pretty much forever.

It looks like this fabric was used in the Marc by Marc Jacobs line sometime before 2009; you can see a dress made with it here:

image from FashionFuss.com
image from FashionFuss.com

Rashida Jones even wore something in this fabric in an episode of Parks and Rec! But I’ve only found one thing from the orange colorway—a strappy top.

I still haven’t made up this fabric, and probably the upshot of learning all this is that I will wait even longer to find the “perfect” pattern. (But I can tell you right now, it probably won’t have ruffles …)