Dresses in Literature: Daphne Du Maurier edition

When I had finished I went upstairs to the minstrels' gallery to have a look at the pictures. I knew them well of course by now, but had never studied them with a view to reproducing one of them as a fancy dress. Mrs. Danvers was right of course. What an idiot I had been not to think of it before. I always loved the girl in white, with a hat in her hand. It was a Raeburn, and the portrait was of Caroline de Winter, a sister of Maxim's great-great-grandfather. She married a great Whig politician, and was a famous London beauty for many years, but this portrait was painted before that, when she was still unmarried. The white dress should be easy to copy. Those puffed sleeves, the flounce, and the little bodice. The hat might be rather difficult, and I should have to wear a wig. My straight hair would never curl in that way. Perhaps that Voce place in London that Mrs. Danvers had told me about would do the whole thing. I would send them a sketch of the portrait and tell them to copy it faithfully, sending my measurements.

from Rebecca.

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