Once again I reflexively reached for the bodice from Simplicity 2389 and that BurdaStyle Heidi skirt:
This one is Liberty print—a piece of fabric I have had for a long time. I think this pattern is from 2009, but I’m not sure; it could be earlier.
Ironically, it was purging so many dresses that finally led me to cut into this long-hoarded fabric … even the fabrics that I loved the most (yeah, looking at you, popsicle print) only gave me a kind of “happy to have known you” feeling as I packed them up to ship them to new wearers.
So with this empirical evidence reassuring me that it is unlikely that I will wish I’d saved some special fabric for some theoretically ‘better’ use*, snip snip went the scissors into this Liberty!
I’ve worn this a couple times so far and it has made me very happy. Beep!
(Oh, and speaking of the Dress Purge of 2017 … there are a few dresses left, but August 6 I will be sending whatever hasn’t been purchased off to Goodwill and tallying up the totals.)
(*also it looks like this fabric is still available from third-party sellers in a different colorway)
Oh look, it’s the bodice from Simplicity 2389 and that BurdaStyle Heidi skirt again! (Readers stifle yawns, reach reflexively for their mobile devices.)
This time it’s in this beautiful gray dotted swiss that I’ve had for so long that I can’t even remember where I bought it. I’ve been holding on to it FOREVER because I thought it would need to be lined, but it turns out no, it doesn’t. Here, have a closer look:
It’s like chambray, but dotted swiss! Two of my favorite fabrics mashed together!
Here’s the pocket/zipper view:
Why yes, that is gray-and-white seersucker piping! You can also just see that the pockets are lined in this very nice sheer gray voile.
Here’s the pocket-in-progress:
Here’s the same piping on the shoulder seam:
And finally, the back:
I didn’t even press this before putting it on the dress form, which is a miracle, if you ask me. But the fabric is very soft and light and so it seems that wrinkles take a look at it and say “yeah, no, I think I’ll try the next dress down, thanks anyway.” (Okay maybe there are a few wrinkles at the sleeve and skirt hems …)
I’ve managed to eke out a couple other dresses recently—I’ll try to get them posted soon.
So a couple weekends ago I made another stunt dress:
//embedr.flickr.com/assets/client-code.jsThis fabric is called “Symbolic Elegance” and is “from the ‘Ampersand’ collection by Ampersand Design Studio for Windham Fabrics,” according to eQuilter, where I bought it. The pattern is the only one I’ve been making lately: Simplicity 2389 with the modified Heidi skirt.
Why is this a stunt dress? Because I’m wearing it in the Kickstarter video for Wordnik (you folks know I run Wordnik, right?) Here’s a link — play the video and you can see me wearing this dress.
The goal of this Kickstarter is to find a million missing words of English — words not in traditional dictionaries — and add them to Wordnik.
Here’s the bodice, with piping:
And the pockets (with piping):
And the back (no piping visible):
If you have a minute to share our Kickstarter campaign, it would be much appreciated! We’re at >40% of our goal, but it’s a long way to the finish line!
Hey, it’s another Simplicity 2389!
I think this fabric is called Flower Field (maybe?) and is Kokka Trefle? A few minutes’ desultory Googling hasn’t turned up a picture. It feels like Kokka’s linen/cotton mix and I know I bought it from Superbuzzy in 2013 (thanks to saving every fabric invoice in my inbox). Here’s the full front view:
And here’s the center front, with an attempt at matching the pattern across the front seam:
And of course the shoulder piping:
The zipper/pocket (also with piping):
And the back:
I say “Simplicity 2389” but it’s really the Simplicity 2389 with the modified Heidi skirt, as usual. As you might imagine after seeing so many of these hybrids in a row, I really really like this dress. (And I have a few more coming to post.) It’s just so darn easy to make and wear, and I haven’t really run out of interesting (to me, at least) combinations of print and piping (even self.jpgping).
But last week I found myself thinking about a simple, V-neck bodice with a six-gore pocketed skirt, probably in dark denim. I’d like it for rainy cold SF days (I’m betting/hoping that we may have more than a couple of those this winter), so perhaps the tide is turning?
Been a while since I posted a new dress, huh? Here’s one that’s been waiting patiently in pieces for ages:
This is in some black bandana print so old that I can’t remember when or where I bought it. It is not great fabric — it’s pretty stiff and there were plenty of print faults and slubs. Not sure why I was all excited about sewing with it, but I think playing with the print motifs was part of it:
Here’s a closer look at the bodice matching:
Here’s the back — I was really interested in having the back bodice look as much like a standalone bandana as possible:
Matched the motif across the skirt panels too (this is the altered Burdastyle Heidi skirt, again again again, I really should do a separate post detailing all the changes I’ve put it through):
And the piped pocket and zipper:
I bought a bunch of invisible zippers with very lightweight, almost knit tapes in Vancouver and they’re a bit trickier to sew with than I thought. As in, I’ve already broken two of them. I’m hoping it’s more “practice makes perfect” and not “you bought a bunch of lemons”. This one went it more or less okay, though. (Fingers crossed.)
I still have some orange bandana fabric yet to make up, probably the last piece of my epic 2008 Japan fabric binge.
(If you like odd bandanas you will almost certainly like the Calamityware Bad Bandana project.)
Oh, and if you missed it, I wrote about answering customer-service email on The Pastry Box! Very exciting, I know.
For some reason (can’t think why) this fabric reminds me of ticker-tape parades:
It is, as you may have already guessed, another Simplicity 2389 bodice with a Heidi skirt. It’s a slightly grabby fabric — you can see it’s hitching a little on my dress form. Either that, or the center front seam is a little wobbly (also possible).
I made ZERO attempt to match the print, as I’m sure you can tell. I’m not sure if the fat self.jpgping shows up all that well in the above picture, but it’s there.
Oh wait, here it is:
And here you can see it (maybe?) on the pocket:
And the other pocket (and the zipper):
And the back:
The fabric is some silk-cotton Marc Jacobs that I bought ages ago — I bought it in bright orange, too. I think I photographed the wrong side but whatevs:
I do love silk-cotton when I can get it; it’s all the best parts of cotton and silk — easy to sew with like cotton and fancy like silk.
If you want to see me wearing it, you can do so here.
I made another dress like this one, right down to also using Liberty Lantana fabric:
The name of this particular print is “Haberdashery”, and I fell in love with the weird faux-patchwork:
(“Haberdashery” is a fairly stupid name to call a Liberty print, because it is nigh-unGoogleable, but here it is at Shaukat iffen you need some. Looks like it comes in a nice bright blue, too.)
And OF COURSE there is piping:
And on the pockets:
Here’s the zipper (bonus piping view):
And the back:
I forgot to take a picture, but the neck facing is the same plaid as in the flower print (or near-enough as makes no nevermind). (Because that’s the sort of thing that makes me weirdly happy.)
This variation has a much longer skirt, nearly tea-length, so that it looks better (in my head) with ankle boots. (Does it actually look better? Who knows.) If you want to see how it looks on, I wore it to give this talk.