Local woman finishes last summer dress of 2024

PORTLAND, OREGON
Despite forecasts of record high temperatures for early September, local sewist Erin McKean declared the dress she finished on Labor Day to the be the last “summer dress” of 2024.

Fishca dress

The dress, another iteration of the “Isca” pattern that McKean has been sewing all year, was made in a lightweight Liberty Tana lawn featuring a pattern of little fish. “I don’t remember I where I bought this fabric,” McKean admitted. “Or when. But I did a reverse-image search and the pattern is called ‘Glimmer’.”

Instead of the stand collar of the original pattern, McKean chose to make this iteration without the collar, finishing the neckline with bias binding. “More summery,” she said. “Although it would have been better if I’d remembered to lower the neckline by about a half-inch.”

Fishca bodice

McKean also replaced the original set-in full sleeves with self-lined cap sleeves, a consistent change for her versions of this pattern. “This time I changed the inner finishing to a slip-stitch, rather than bias-binding the seam.”

Fishca sleeve finishing

McKean is a vocal proponent of pockets, no matter the season. Her dress pockets can carry several pounds of her belongings, in a pinch. “Once, in an airport, I had a full-size insulated water bottle in one pocket and a sub sandwich in the other, plus all my normal stuff—wallet, notebook, phone, handkerchief, lip balm, pen …” The pocket facings are also piped. “I don’t remember the last time I didn’t add piping to a pocket facing.”

Fishca pocket

Although she had originally planned to sew a few more dresses during summer 2024, including several in fabrics that had originally been intended for the summers of 2017-2023, McKean said she was generally pleased with the amount and variety of sewing she had been able to accomplish over the last few months. “I made a multiple-gingham Isca, and a linen stripe Isca, and a checkerboard plaid Isca. And a couple more that I haven’t taken pictures of yet.”

Fishca front placket and piping

When asked about her autumn sewing plans, McKean produced a scrap paper list on which the words ‘printed corduroy’ and ‘plaid brushed flannel’ were prominent. “I do plan to sew mostly from my stash between now and the end of the year,” she said. “But no promises.”

Fishca back

January sewing

I did some traveling in February, which meant (as usual) I had a minor flurry of sewing in January. Three dresses made it into the “finished” column:

Another Isca, this time in a precious length of Liberty Lantana (the print is called Adriatic).

Liberty Isca front view

I’m very happy with the color of the buttons:

Liberty Isca buttons

And, of course, the piped pockets (that’s a ruler in the pocket — although I am happy to see you):

Liberty Isca pocket (with ruler)

I also finally, finally, made the Tilly and the Buttons Zadie dress that I bought yonks ago and cut out in … 2022? I like the color-blocking:

Tillie Zadie dress front

This is some heavy ponte knit that I bought in Belgium in 2020, and it’s very comfortable; my intention was for this to be a good “airplane dress” for my long flight, but I think I need to tweak the pattern a bit before it’s really airplane-worthy. The pockets need to be deeper, and it’s a little short through the torso for me. I also think the skirt might need to be a tinch longer, as well. It hits me right at the knee, and I think about two inches more would do it.

Sewing the ponte was easy … unsewing the ponte was NOT. When I make this again I’m going to be much more careful, especially with those soft pleats at the front. I got one of them slightly off and, well, let’s just say that it’s still slightly off, and will remain slightly off for the rest of time.

As long as I had my double needle setup handy (and still in need of an airplane dress, because I was still going on an airplane), I decided to make another Cashmerette Turner. (The nice thing about blogging is that I could re-read that last post and make the fixes that I thought I should.)

Cashmerette Turner Paapii knit (hacked)

I admit, I could have taken more care in matching the print at the waistband (because I didn’t take any care, basically). As a reminder, I altered the Turner pattern to have a rounder neck and changed the skirt from a two-piece to a six-gore skirt, to make it easier to add these pockets:

Cashmerette Turner added pocket

This fabric is an incredibly soft, heavy jersey from PaaPii in Finland; I bought mine from an Etsy seller but it’s still available in another color on their website. This stuff cannot wrinkle—I had 20 hours of travel in this dress and it still looked pristine at the end (making the contrast with my travel-wearied body even more apparent). Very comfortable, too!

Here’s the neckband, if you like that sort of thing:

Cashmerette Turner round neckline binding

Three dresses in January seems like a lot but I didn’t sew a darn thing in February (two weeks of travel, then two weeks of recovering from travel). I did buy a reasonable amount (for me) of fabric on my trip, though, so let’s see what happens in March!

Everything I sewed in 2023

Early last year I claimed that 2023 was going to be ‘the year of the shirtdress’ and, for once, I was right.

The biggest winner in the shirtdress sweepstakes (prize: Erin makes a lot of you) was the Isca dress from Marilla Walker, which I made a dozen times:

Isca shirtdress
The first iteration (blog post)
Isca border print version
Round two.
Isca in Nani Iro cotton/linen
Round three (blog post). This is where I began replacing the set-in sleeves with a kind of modified cap sleeve.

After those three, they kind of came in a rush:

Rainbow Isca dress with yellow buttons
Heavy rainbow chambray. This almost certainly came from Stonemountain.
Liberty blue waves Isca
Liberty Tana lawn.
Gray-blue lawn Isca with a jackstraw-like pattern
I think I bought this lawn from Stonemountain? I’m bad at dress selfies but I made an attempt for this one in a hotel in Copenhagen.
Black and gray needlepoint-roses print Liberty lawn Isca
More Liberty, this time a little longer for autumn/winter wear. (The buttons are little flowers too.)
Isca shirtdress in cotton poplin with a distressed stripe pattern in shades of gray, teal, purple, black, and pale yellow
This one is probably my favorite? I have no idea where I got this fabric, it’s a light poplin or maybe a heavyish quilting cotton.
Liberty paint-splash poplin Isca with pink piping
Another Liberty print, this time, poplin, and again in the longer length. The piping is a very candy pink that I think goes well with the 80s-esque splatter print.
Faux bois flannel Isca shirtdress in pale green and gray
This is a warm and cosy faux bois flannel I bought from Josephine’s and sewed up the very next week. The buttons on this are very nice.
Gray and black check flannel Isca
Another warm flannel version (I just wear a long-sleeve tee underneath to make those little sleeves wintery).
Blue plaid with floral elements shirting cotton Isca
This was going to be my Plaidurday dress for this year but I didn’t quite finish it in time. It’s a plaid with a floral overlay, again in the longer “wear it with knee socks for autumn” length. The buttonholes are done in the same(… ish) red as the flowers.

Did I have time to sew anything else, you might ask? Well, yes. I also made two (and a half) of the Matilda shirtdresses:

Blue Liberty lawn paisley Matilda shirtdress front view
A blue paisley Liberty lawn (blog post).
Black and gray minicheck Matilda dress with band collar
I’m not entirely sure I made this one in 2023; it might have been a late 2022 entry. I left the collar off this one but forgot to reduce the collar stand/band. That, combined with the stiffness of this fabric, basically makes me look as if I should be saying “Yes, Lord Vader—immediately, Lord Vader!” every time I’m wearing it.
Half-finished dress in teal cotton with red cherries, with red pockets and shoulder bands
This dress is going to have to wait until spring for me to finish it; I bought the fabric in Korea, realized I didn’t have enough, faffed around to try to find a coordinating solid Kona cotton, finally got it and cut out the pockets, piping, sleeve bands, button bands, and collar, and then lost all interest. I’m sure at some point I will get motivated to find tiny teal cherry buttons, but until then it will probably live in the UFO pile.

I also made two of my favorite Farrow jumpers, one at the beginning of 2023 and one a few weeks ago, both in basically the same color.

Dark fuchsia stripe wool jumper with pockets
This is a nice piece of wool that I’m pretty sure I bought at Vogue Fabrics in Evanston in the 90s? It only goes to show that you should never, ever, get rid of any fabric, ever. Someday the right project will come and wake it from its slumber. (It’s not so grabby around the hips when it’s being worn; my dress form is fuzzy and I am not.)
Maroon speckle Shetland flannel jumper
This is in that nice Kaufman Shetland speckle flannel. I love this style for winter; I wear it over a t-shirt and with ankle-length leggings and boots.

I also made one (heavily modified) Simplicity 7512:

Pink and yellow abstract Liberty lawn Villager-style shirtdress with pink buttons
Liberty lawn, pink buttons (blog post)

The most challenging thing I made this year was absolutely the Hove jacket from In The Folds:

Gray nylon hooded jacket with front zipper
You can see a bit of the bobbly stitching on the zipper at the bottom. All the seams are bias-bound! I underestimated the amount of fabric needed and had to reorder halfway through! All I can say is, my vast vocabulary of epithets and interjections really came in handy during this project. However, I wear it basically EVERY DAY, so it was worth it. And there’s some heavier wool fabric and reflective piping waiting on my sewing table right now for round two … gonna do a button band or snap closure for the next one (or maybe even toggles!) though.

The other thing I made in 2023 and use almost every day (and which gets the most comments of anything I wear, by far) is this project:

black canvas bag with 'you can always quit' in puffy-paint with a rainbow
I bought the “You Can Always Quit” t-shirt from the Today in Tabs newsletter, but (surprising nobody) I am not a puffy-paint t-shirt wearer. It sulked in my sewing room until I bought a cheap black canvas crossbody bag from Amazon. Then I cut out the logo and just zig-zagged it onto the bag.

It’s not technically sewing, but 2023 is also the year I made my first pair of footwear! I splurged on the (totally worth it) Rachel Sees Snail Shoes sandalmaking workshop:

Pink leather fisherman-style sandals with a quarter strap and black rubber soles

Absent on picture day: the Peppermint Pocket Skirt in black and white gingham seersucker (which I’ve actually not even worn yet); a complete failure of a shirtdress that will have to be broken down for parts (but might be tried again in a different fabric and/or size); an attempt at the Tilly and the Buttons Zadie dress in ponte (I made a mistake and ripping stitches in ponte is the ABSOLUTE WORST).

Which one do you like the most? (Pass over the ones you don’t like in silence.)

Iscatology

Gray Nani Iro Grace Isca Shirtdress

I’m excessively pleased with this new variation of the Isca shirtdress. This is my third iteration (see #1, #2). The biggest change from the last version is that I swapped out the sleeves for a band sleeve (following Gertie’s great instructions) and somehow it lightens the whole mood? I made the band sleeves about 3 inches wide at the top which takes them darn near to flutter-sleeve territory, but not quite.

The fabric is Nani Iro Grace, in a linen/cotton—I don’t think it’s available any longer, but you can still get a few colorways of the gauze, which I’ve sewn with as well.

Isca pockets

Don’t get me wrong—just because I’ve made a lot of changes (collar, sleeves, pockets …) to this pattern doesn’t mean I don’t think it’s a good pattern! It just means that I have very particular tastes. I like to think of these variations like a cover song. If it’s done right, it brings something to the original without taking anything essential away.

I’ve already picked out the fabric for the next round, it’s a rainbow stripe. I will probably change the armscye a bit to move it in at the top of the shoulder and up underneath the arm, but otherwise I’m pretty happy with my cover version!

Year of the Shirtdress Continues

Hey, look, it’s another shirtdress!

Simplicity 7512 shirtdress in cream, pink, and yellow Liberty Tana lawn

This is Simplicity 7512, which I’ve probably bought three copies of in various sizes, and then never made any of them because I disliked the way the skirt was put together. But then I realized that I could just … change that, and so behold my preferred pockets:

Simplicity 7512 pocket with piping

Here’s the pocket with a big ol’ ruler in it, for scale:

Simplicity 7512 pocket hack (ruler for scale)

Here’s the zipper view; I actually couldn’t remember the last time I put in an invisible zipper:

Simplicity 7512 with fuchsia invisible side zip

I was a bit distracted and completely forgot to do my usual collar adjustment (based on the Fashion Incubator method) but it turned out mostly okay. (Tana lawn forgives a lot.)

Simplicity 7512 collar and bright pink buttons

For some reason I thought I’d bought this Liberty from The Fabric Store but maybe not? I don’t see anything in my receipts folder. I’m convinced it’s Liberty, but a quick image search doesn’t turn up anything.

I haven’t worn this a full day yet, but I could barely bring myself to take it off after I did the final try-on … it’s just delightfully comfortable. I don’t remember similar versions I’ve made before being as comfortable?

The other thing I like about this dress is that I’ve loved this style for … oh, since about I knew it existed. I bought a similar dress (a “Villager” knockoff) at the old Maxwell Street flea market in Chicago, in what probably was the last year there even was a Maxwell Street market. It was hanging on a chain-link fence, between vendors selling (what I now realize were probably stolen) tools and packs and packs of white tube socks. I wore it nearly to death, despite it being absolutely not sufficiently warm for Chicago nine months of the year (and despite it having no pockets).

When I first started wearing this style there was at least a little irony involved—I was a young person, wearing an old person’s dress. Now I am an old(er) person, still wearing the same dress (albeit with larger dimensions all around), and the irony has … evaporated? Depleted? Perhaps irony has a half-life, like radioactivity? I am looking for other examples of “irony depletion”, if you have them; not the phenomenon in which someone pretends to be something and then becomes that thing, but examples where time bridges an ironic distance. Maybe when punk bands play a cover of some easy-listening 70s tune and now, whoops, it’s almost 50 years later and now it’s their well-loved classic? Stuff like that. Anyway, you know where the comments are, have at it.

I’m gonna make this dress a LOT, I can feel it. Brace yourselves!

Dresscue Mission

Before the holidays I did a wearable muslin of the Marilla Walker Isca shirtdress. I had very high hopes—the reviews were good, the diagonal bodice line had me dreaming of stripey wonders, and, of course, pockets!

I made it up in some nice brushed blue/black check shirting (no idea where this fabric came from, I feel like I’ve had it forever). The directions were excellent, especially given the unusual shoulder construction, and the fit was pretty good. The only alteration I made was to change the pointed collar to a rounded one.

The only problem was the pockets were too shallow. I kept losing things out of them when I sat down. Now, I don’t have very many requirements for pockets, but one hard and fast rule I do have is that things need to stay in them until I take them out.

Obviously I could just fix it in round two, but I really didn’t want to give up on the muslin, which had turned out more on the ‘wearable’ side than the ‘muslin’ side. But I didn’t have enough fabric to recut the front skirt (nor did I have enough ‘want to do it’ to recut the front skirt).

I did, however, have enough fabric to cut a few bias bands and enough ‘want to do it’ to undo just enough of the waist and side seams to shove them in:

Isca shirtdress

The inner piping is where the original pocket edge ended; I sewed the new strip to the pocket edge (sewing in the ditch of the piping), then attached piping to the raw edge of the new strip. I used a strip of black hem facing tape to finish the inside of the bias strip (because I didn’t have enough of the check fabric to do so).

Here’s a closer view (the inner piping is fatter than the outer piping because, uh, things that are closer look bigger and also because I ran out of that size of piping cord):

Isca pocket (revised edition)

And one with an iPad mini in it, for scale:

Isca pocket (iPad mini for scale)

I also shortened the skirt by about three inches (did I unpick the original foldover hem and then redo it? Ha, no, I just folded it up and sewed it down, as my reserves of ‘want to do it’ were running quite low at this point).

The only other thing I wish I had enough fabric to change are the sleeves: I feel like that diagonal line of the bodice would be really cool if it extended to a little cap sleeve. I looked at a bunch of “draft a cap sleeve” instructions but … not enough fabric, and even my spiffy new LIGHT UP SEAM RIPPER didn’t inspire me to take off these (perfectly serviceable) set-in sleeves and see if I could recut them into caps.

Isca sleeve, unrescued

I have some (lol “some” I have ENORMOUS QUANTITIES) of stripey fabric that I think will be good for the next round. There are a couple more projects in the queue before I will get there, but in the meantime, I can now wear this one!

2023: year of the shirtdress, for real this time

Matilda shirtdress front

“Yes, Erin, we’ve heard this before,” you say, and you’d be right—I don’t want to go back and search, but I’m pretty sure I’ve declared several previous Years of the Shirtdress, and then made … one. If that.

This time, though … that above is my third Matilda shirtdress, and I’m planning on making quite a few more. I actually bought the original non-curve-sized Matilda pattern yonks ago, realized how much work it was going to be to curvenize it (that’s the technical term), and it promptly went to the bottom of the pile. So when the curve version came out I was pretty enthusiastic, and the pile got shuffled somewhat.

Matilda shirtdress back view

I’ve since made it three times; this is the latest iteration. I will post the other two anon, but I wanted to get this posted sooner, because … well, I like it!

It’s not perfect by any means; the collar is a bit wonky on the left-hand edge (I might be able to just re-press it tho):

Matilda shirtdress collar

I like lots of things about this pattern: first off, the pockets are a good size, and patch pockets so very easy. The sleeve bands are fun, too:

Matilda shirtdress sleeve band

I’m looking forward to really playing around with stripes and plaids next, because this pattern goes together really well.

There were some changes made: I had to raise the bust point a bit (but the pattern designer actually has a great tutorial for this). I think the collar stand is too tall, so I shortened it (and I might narrow the collar, too). I’d love to try this with a flat (Peter Pan) collar, but I haven’t wrapped my mind around that change yet. I also did the waistband buttonholes horizontally, instead of vertically, because that just feels better? Idk. Because this fabric is lightweight, I used hem binding instead of the ‘fold twice and sew’ method because I wanted a little extra weight. Next go-round I’m going to only use this (very good) fusible interfacing for the collar stand and front bands, and use organza for the waistband and the collar.

The pattern instructions want you to sew the bands to the front, flip them to the back, and then topstitch, but I am not nearly patient enough for that nonsense, so I did it the opposite way around. (This review has better instructions than that, search the page for ‘reverse method’.) With the reverse method you’re topstitching on the edge that needs to be sewn down, so you can focus on the topstitching bit, and not the “am I catching the loose edge on the side of the dress I can’t see” bit.

This fabric is (I think) Liberty Mark Tana lawn; I mean, it’s definitely the Mark pattern, I just can’t find a record of this colorway. I’m not usually a navy-blue person (I ended up using all my navy thread sewing this, and had to cheat with a little bit of a blue-purple in places). I figured this would be a good test run for whether this fabric works in Tana lawn, because I really like the print and it is SO BUSY that any little bobbles would be hidden, a kind of Where’s Waldo, but for sewing mistakes. It is also still kind of coldish here so I can wear this over a long-sleeved black tee and leggings. (Mixing navy and black is how you can tell the real fashion pros from the wannabees, right?)

On the easy-to-wear scale, where 10 is “pajamas you’ve had for >5 years” and 0 is “actual suit of armor” this is a solid 7. It hangs nicely, there’s good arm mobility with sleeve bands, the pockets are well-placed and ample, and the fit is trim without being constricting.

I won’t kid you—any shirtdress pattern is just going to be a lot of work. This one has a lot of pieces, and buttonholes, and interfacing, and a collar and and and … it’s definitely a “one bite at a time” pattern and not a “cut out Saturday morning, wear it Saturday night” pattern. I tried keeping track of how long it took me to complete each stage, and I’m pretty sure this was a 5-8 hour sew (for comparison, a dress like this is usually a 3-4 hour sew). Plus I generally like to approach buttonholes well-rested, after a light stretching session, and properly caffeinated ….

You might notice a new background to the pics—I’m now nicely settled in to my new sewing space! That’s a new dress form, too (her name is Dot, for obvious reasons). My previous dress form (RIP) was bought in the last century and succumbed to terminal foam-disintegration disease. That white drawer-thingy next to the dress in the first picture? That’s full of bias tape. Full, I tell you. (It’s not a problem, I’m sure I’ll use it all up before I die …)

Stay tuned for more Matildas, perhaps an Isca, and a vintage shirtdress! Really!

Quick Purge Update

First: I’ve updated the list to include photos for some of the dresses that didn’t have any. (The photos are on Flickr; I’ve only linked the full front view of the dress so check the photostream for side/back/pocket views.)

Also, someone asked if I would mind if they bought a dress to alter or use for the fabric. Nope! Once a dress is yours, it’s yours! You can cover it in glitter, turn it into tea cosies, incorporate it into your collages—whatever else makes you happy. 🙂

If you have asked for a dress and haven’t seen a payment request from Paypal, please check your spam folders, or log into Paypal and check your messages there. At this point everyone who has requested a dress should have received a funds request, and packages have been sent for everyone who has sent funds (if you want a tracking #, just email me).

Also, in the last purge I had some fabric up on Etsy; a few people have asked if I’m listing any fabric at the moment. I’m not listing fabric now, but I have been listing non-handmade items (dresses/skirts/shoes/scarves, etc.) on Poshmark.

The Purge (2022)

So if you were wondering “How often does Erin clear out the dresses she made but no longer wears” the answer turns out to be ‘about every five years’. Yep, it’s that time again!

Over the holidays I did a big closet re-org and realized a few things. First, WOW I have made a LOT of dresses. I mean, a LOT a LOT. Also, I seem to have done a complete palette shift since my hair has gone gray; I’m no longer pulled toward moss greens, mustard yellows, or chocolate browns.

Last time I decided to get rid of a lot of Made By Erin dresses, I put up a spreadsheet and a form and y’all went to town! I ended up being able to send ~40 dresses to new homes and $400 to Chicago Books to Women in Prison.

So I’m going to do it again! Here’s the list of dresses that are up for grabs. Not all of them have links/photos yet, but I’ll keep posting them as I find/take them. (Or hey! Surprise dress!)

If you see a dress you like, fill out THIS FORM with the dress you want and your email and mailing address, and I will send you a Paypal invoice for the $20 plus whatever shipping costs to wherever you live. Then you have a week to pay the invoice (or the dress becomes available to someone else).

Like last time, every dress is US$20. Unlike last time, there are Liberty fabric dresses, crossword puzzle dresses, and a Tetris dress on this list!

I’ll strikethrough dresses on the spreadsheet as they are claimed and remove them when they are purchased.

Here are some questions I thought you might have:

Q. Do these dresses have pockets?

A. ALL OF THESE DRESSES HAVE POCKETS. HAVE I TAUGHT YOU NOTHING?

Q. There’s a dress of yours I want that isn’t on the list! Will you be selling it?

A. Uh, maybe? You can email me and ask.

Q. There are no prices on the spreadsheet, how much are the dresses?

A. Every dress is US$20.

Q. What are you going to use the money for?

A. I’m going to give half of it to charity (likely bail reform, books for prisoners, or a local mutual aid org), and I’m going to use half of it to buy more fabric. (Yes, I know this negates the whole concept of “getting rid of stuff” … but, FABRIC!)

Q. What if I don’t support those causes? 

A. Easy! Don’t buy a dress!

Q. I want to buy a dress but I would like you to ship it (some way other than Priority Mail Flat Rate). Can you do that?

A. Sorry, flat rate only, as I need to minimize the time I spend in line at the Post Office.

Q. Will you make (my requested alterations) to the dress before you send it to me?

A. No, I’m afraid not … your local dry cleaners/alterations shop can help you out.

Q. Are these dresses new?

A. All of these dresses have been worn. Some have been worn more than others. (Any notable flaws are listed in the spreadsheet.)

Q. Are the measurements on the sheet body measurements or garment measurements?

A. They’re garment measurements, measured flat across the front and doubled. Make sure to leave wearing ease for yourself!

Q. Why don’t you just give them all to Goodwill and be done with it?

A. Local Goodwills and other donations orgs have been overwhelmed here, and a lot of what is donated is sent to landfill or shipped overseas to become someone else’s problem.  I’m worried my dresses will be considered unsaleable since they’re home-made—I want them to go to good homes!

Q. I would like to pay some other way (not Paypal).

A. I’m sorry, I can only take Paypal.

Q. When will this purge end?

A. At dawn. When they’re all gone. However, anything that’s not gone in a month or so (end of March) will probably get cut up into quilting squares.

Q. I have a question that you were unable to anticipate! How can I ask it?

A. Leave your question as a comment on this post and I will answer it as soon as possible.

Summer is for stripes

blows dust off top of blog, hits power button

Well, I’ve gotten two shots (shoutout to my Pfizer Pfriends) and in a week or so I can perhaps consider leaving the house, so I suppose it’s time to start sewing again?

I have basically been wearing the same seven dresses for a year, mostly in shades of gray and black, and I am assured that at some point I will emerge (like a cicada, only quieter) into the light of the sun. So this seemed like a relatively sunny fabric to start with.

heavily modified Chalk and Notch Fringe dress in Kaffe Fassett yarn-dye
heavily modified Chalk and Notch Fringe dress in Kaffe Fassett yarn-dye

I think I bought this fabric at Scrap in Portland, in the beforetimes, but I’m not sure.

So yeah, this is the Chalk and Notch Fringe dress, which is super-comfortable, even more so when you turn the skirt into a six-panel one and add gathering to the center front and back and extremely deep pockets. As you can see I also turned the facing to the outside so I could play with stripes and piping.

Fringe bodice
turning facing to outside means never having to match the center seam
Fringe back
back with gathering at the waistline
Fringe sleeve
bias finish for the sleeves
Fringe facing with piping
I forgot to interface the neck points so they’re a bit gentler than usual
Fringe hem
bias bind the hem too? why the heck not?

I’ve actually done a tiny bit more sewing since putting this together—I finally bought a cutting mat large enough for my cutting table, so I am now a late convert to the Church of the Rotary Cutter. (Wow, those things are neat!) Rotary cutting means that a bunch of knit projects I always bought fabric for and then dismissed as too much effort to cut conventionally are now within reach—I made my first jersey knit dress in more than a decade (a Cashmerette Turner) recently, and it was such a quick sew! (I also acquired some stretchy bobbin thread and a jersey double needle for topstitching, which was extremely satisfying.)

Anyway, in addition to not sewing, I’ve mostly been spending my time this past year appreciating how lucky I’ve been and trying to quash my incandescent rage at those who made the decisions that caused other people to be hideously unlucky. Also, as is now required by statute, I started a newsletter. (It’s free.)

How’ve y’all been? I’ve missed you.